The Twin Geeks

Your independent resource for classic & contemporary cinema

Strange World: A Letter to My Daughter About Embracing Strange New Worlds

Andor: Season One – The Spark That Ignites Rebellion

Women Talking: Let Them Talk

Something in the Dirt: The Downward Spiral

EO: A Mule’s Journey

Lamborghini: The Man Behind the Legend — Dull Docudrama v Ferrari

Glass Onion: Perfectly Transparent Complexity

The Fabelmans: The Horizon is Always Where it Needs to Be

Living: An Empty Remake of a Beloved Classic

Causeway: Indie Roots

The Menu: The Full Dining Experience

Bones and All: Across The Crimson Asphalt

Black Panther: Wakanda Forever — Big Budget Blandness

All Quiet on the Western Front (2022): The Right Language for the Same Old Story

Weird: The Al Yankovic Story – Same Music, Different Words

Ticket to Paradise: The Beach That Makes You Young Again

Aftersun: The Tender Evocation of Who We Were and Who We Will Become

Wendell & Wild: Henry Selick’s Welcome Return to Stop-Motion

The Banshees of Inisherin: The Comedy of Male Lonliness

She-Hulk: Attorney at Law: Season One – Breaking the Fourth Wall

Triangle of Sadness: Lifestyles of the Rich & Famous

The Return of Tanya Tucker: The New, Old History of Women in Music

TÁR: Symphonic Cinema of Self-Destruction

Decision to Leave: An Elegant, Witty and Virtuosic Thriller… That May Leave You Wanting

Lyle, Lyle, Crocodile: Crocodile Rocking is Nothing Shocking