The Twin Geeks

Your independent resource for classic & contemporary cinema

Werewolf by Night: Marvel’s Creature Feature

Amsterdam: A Massive Waste of Resources

The Automat: The Democratic Design of the American Diner

Fantastic Fest 2022: Birdemic 3: Sea Eagle – Good to Be Bad

A Jazzman’s Blues – A Heartfelt Opus

Fantastic Fest 2022: Lynch/Oz: We’re Not in Twin Peaks Anymore

Do Revenge: A Snappy but Uneven High School Comedy

Powerlands: Culture is Resistance in this Inspiring Documentary

The Munsters: Rob Zombie’s Aesthetic Obsession

Fantastic Fest 2022: Razzennest – Subversive Festival Darling Has Something New to Say

Don’t Worry Darling: Meandering and Meaningless

See How They Run: More Dontseeit than Whodunnit

Moonage Daydream: A Velvet Goldmine of Sound and Vision

Blonde: Celebrity Skin

Barbarian: A Descent Into the Familiar

Pearl: A Technicolor Descent Into Madness

They/Them: Boring and Offensive!

The Rehearsal: Season One – Masterful Metafiction

Pinocchio: Not a Real Movie

Clerks III: The Vulgar ‘90s are Back and Business is Good

The Invitation: A Fangless Re-tread

The Lad Goodbye: What Cinema Could and Should Be

Three Thousand Years of Longing: Floating Redundant

Resident Evil: Season One – Biohazardously Bad

Funny Pages: He Failed with Soul, That’s the Difference