The Twin Geeks

Your independent resource for classic & contemporary cinema

The Bad Guys: Are We the Baddies?

The Northman: Remarkable Yet Unremarkable

Ambulance: Full Speed Maximalism

SIFF 2022: Only in Theaters – Family Matters at the Cinema

Apollo 10 1/2: Aimless Lunar Nostalgia

Marry Me: An Affair to Forget

SXSW 2022: Linoleum – To The Stars

SXSW 2022: A Vanishing Fog – Vibrant Surrealism In A Beautiful Landscape

SXSW 2022: Cha Cha Real Smooth – Cooper Raiff Returns with Another Wholesome Hit

Umma: The Queen Is Dead

Everything Everywhere All at Once: The Must-See Masterwork of the Multiverse

SXSW: Anonymous Club – The Fuzzy Enigma of Courtney Barnett

SXSW 2022: The Man Who Fell to Earth – Season One, Dead on Arrival

Lunana: A Yak in the Classroom — Charmingly Familiar

SXSW 2022: I Love My Dad – Patton Oswalt, the Cinephile’s Comedian

Turning Red: Stunning Specificity Equals Evocative Universality

Faya Dayi: The Poetry of Existence

SXSW 2022: It Is in Us All – Formal Construction With No Foundation

Compartment No. 6: Strangers on a Train

SXSW 2022: Crows Are White – As the Crow Lies

Ali & Ava: A Finely Tuned Portrait of Pure Humanity

The Batman: Vengeance Reimagined

Peacemaker: Season One

Jeen-Yuhs: It’s Always Darkest Before Dawn

Texas Chainsaw Massacre (2022): Look How They Massacred My Boy