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The Twin Geeks
Your independent resource for classic & contemporary cinema
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Reviews
Reviews
The Bad Guys: Are We the Baddies?
Reviews
The Northman: Remarkable Yet Unremarkable
Reviews
Ambulance: Full Speed Maximalism
Reviews
SIFF 2022: Only in Theaters – Family Matters at the Cinema
Reviews
Apollo 10 1/2: Aimless Lunar Nostalgia
Reviews
Marry Me: An Affair to Forget
Reviews
SXSW 2022: Linoleum – To The Stars
Reviews
SXSW 2022: A Vanishing Fog – Vibrant Surrealism In A Beautiful Landscape
Reviews
SXSW 2022: Cha Cha Real Smooth – Cooper Raiff Returns with Another Wholesome Hit
Reviews
Umma: The Queen Is Dead
Reviews
Everything Everywhere All at Once: The Must-See Masterwork of the Multiverse
Reviews
SXSW: Anonymous Club – The Fuzzy Enigma of Courtney Barnett
Reviews
SXSW 2022: The Man Who Fell to Earth – Season One, Dead on Arrival
Reviews
Lunana: A Yak in the Classroom — Charmingly Familiar
Reviews
SXSW 2022: I Love My Dad – Patton Oswalt, the Cinephile’s Comedian
Reviews
Turning Red: Stunning Specificity Equals Evocative Universality
Reviews
Faya Dayi: The Poetry of Existence
Reviews
SXSW 2022: It Is in Us All – Formal Construction With No Foundation
Reviews
Compartment No. 6: Strangers on a Train
Reviews
SXSW 2022: Crows Are White – As the Crow Lies
Reviews
Ali & Ava: A Finely Tuned Portrait of Pure Humanity
Reviews
The Batman: Vengeance Reimagined
Reviews
Peacemaker: Season One
Reviews
Jeen-Yuhs: It’s Always Darkest Before Dawn
Reviews
Texas Chainsaw Massacre (2022): Look How They Massacred My Boy
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