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The Twin Geeks
Your independent resource for classic & contemporary cinema
Stephen Gillespie
Reviews
tick, tick… Boom!: Interesting Content, Bland Execution
Reviews
Eternals: All Time Low
Reviews
The Power of the Dog: A Stunning Return From a Beloved Filmmaker
Reviews
Ghostbusters: Afterlife — A Ghost of Busting’s Past
Reviews
Petite Maman: A Petite Masterpiece
Reviews
Clifford the Big Red Dog: This Big Red Dog Won’t Hunt
Reviews
Kurt Vonnegut: Unstuck In Time — An Atypical Doc for an Atypical Writer
Reviews
The French Dispatch: Empty All the Way Down
Reviews
Venom: Let There Be Carnage – Not Quite Symbiotic
Reviews
Bergman Island: Summer with Ingmar
Reviews
Malignant: Beyond Good and Bad
Features
Japan Cuts 2021: Hiruko the Goblin – His Most Likeable Film
Reviews
Japan Cuts 2021: B/B – Offensive and Irritating
Features
The Inescapable Charm of Don’t Let the Riverbeast Get You
Reviews
Censor: Video Not-So-Nasty
Reviews
Japan Cuts 2021: The Great Yokai War: Guardians – A Kaiju for All the Family
Reviews
Japan Cuts 2021: The Pass: Last Days of the Samurai – Traditional to a Fault
Reviews
Japan Cuts 2021: Wife of a Spy – From Japan With Love
Features
Fantasia 2021: Capsule Reviews
Reviews
Fantasia 2021: The Sadness – Violent Delights and Sadistic Ends
Reviews
Fantasia 2021: The 12 Day Tale of the Monster that Died in 8 – Covid Kaiju
Reviews
Fantasia 2021: Strawberry Mansion – Beautifully Bizarre
Reviews
Fantasia 2021: It’s a Summer Film – DIY Samurai
Reviews
Fantasia 2021: Satoshi Kon: The Illusionist – Dreaming Machine
Features
Fantasia 2021: Art Kabuki – The Show Must Go On
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