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The Twin Geeks
Your independent resource for classic & contemporary cinema
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Reviews
Reviews
Severance: Season One
Reviews
Fantastic Beasts: The Secrets of Dumbledore – The Magic Is Dead
Reviews
The Unbearable Weight of Massive Talent: The Man, The Myth, The Legend
Reviews
Ambulance: Full Speed Maximalism
Reviews
Apollo 10 1/2: Aimless Lunar Nostalgia
Reviews
Jeen-Yuhs: It’s Always Darkest Before Dawn
Reviews
A Madea Homecoming: Come for the Jokes, Leave For Some Red Lobster
Reviews
A Hero: Obfuscated Morality
Reviews
Sundance 2022: After Yang – A Soft Song of Tender Memory
Reviews
Scream: An Enjoyable New Bloodbath Unfolds
Reviews
The King’s Man: Dead On Arrival
Reviews
C’mon C’mon: A Fresh Perspective
Reviews
West Side Story: Magical Enough for the Holidays
Reviews
Nightmare Alley: Destructive Deception
Reviews
The Humans: Atmospheric Holiday Dread
Reviews
DMX: Don’t Try To Understand: An Honest Portrait Of A Broken Man
Reviews
House of Gucci: As Vapid As Its Characters
Reviews
Hit The Road: A Dreamy, Melancholic Mystery
Reviews
Bloodshot: A Belated Review of the Last Film I Saw Before the Virus
Reviews
The Comey Rule: Season One
Reviews
I’m Thinking of Ending Things: Lost in Adaptation
Reviews
Fantasia 2020: The Dark and the Wicked
Reviews
Fantasia 2020: A Witness Out of the Blue
Reviews
Fantasia 2020: Fried Barry
Reviews
Fantasia 2020: The Reckoning
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