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The Twin Geeks
Your independent resource for classic & contemporary cinema
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Reviews
Reviews
Powerlands: Culture is Resistance in this Inspiring Documentary
Reviews
The Munsters: Rob Zombie’s Aesthetic Obsession
Reviews
Fantastic Fest 2022: Razzennest – Subversive Festival Darling Has Something New to Say
Reviews
Don’t Worry Darling: Meandering and Meaningless
Reviews
See How They Run: More Dontseeit than Whodunnit
Reviews
Moonage Daydream: A Velvet Goldmine of Sound and Vision
Reviews
Blonde: Celebrity Skin
Reviews
Barbarian: A Descent Into the Familiar
Reviews
Pearl: A Technicolor Descent Into Madness
Reviews
They/Them: Boring and Offensive!
Reviews
The Rehearsal: Season One – Masterful Metafiction
Reviews
Pinocchio: Not a Real Movie
Reviews
Clerks III: The Vulgar ‘90s are Back and Business is Good
Reviews
The Invitation: A Fangless Re-tread
Reviews
The Lad Goodbye: What Cinema Could and Should Be
Reviews
Three Thousand Years of Longing: Floating Redundant
Reviews
Resident Evil: Season One – Biohazardously Bad
Reviews
Funny Pages: He Failed with Soul, That’s the Difference
Reviews
The Novelist’s Film: A Quiet Revolution
Reviews
Beast: B-Movie of Burden
Reviews
Bullet Train: Full Speed Ahead, For Better or Worse
Reviews
Fantasia 2022: Glorious – Head Like a Hole
Reviews
Ms. Marvel: Season One – Tradition Versus Traditional
Reviews
Fantasia 2022: Out in the Ring – Grappling With Proper Representation
Reviews
Bodies Bodies Bodies: And Then There Were Neon
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