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The Twin Geeks
Your independent resource for classic & contemporary cinema
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Documentary
Reviews
SIFF 2022: Only in Theaters – Family Matters at the Cinema
Reviews
SXSW: Anonymous Club – The Fuzzy Enigma of Courtney Barnett
Reviews
Faya Dayi: The Poetry of Existence
Podcasts
The Twin Geeks 153: Change of the Guard, the Films of Peter Bogdanovich – Part 6
Reviews
Jeen-Yuhs: It’s Always Darkest Before Dawn
Reviews
Cow: A Cow’s Eye View of the Dairy Industry
Reviews
Sundance 2022: Riotsville, USA – Origins of Police Militarization
Reviews
Jackass Forever: Some Friends Are Temporary, But The Jackass Gang Are Here Forever
Reviews
Sundance 2022: Fire of Love – When a Fire Starts to Burn
Reviews
Sundance 2022: Nothing Compares – I’d Kill a Dragon for You
Reviews
Juice Wrld: Into the Abyss: Into the Hollow Void
Reviews
Mr. Saturday Night: A Swift And Underwhelming Experience
Reviews
Flee: Defying All Borders
Reviews
DMX: Don’t Try To Understand: An Honest Portrait Of A Broken Man
Reviews
A Man Named Scott: Barely Reaches the Stratosphere
Reviews
Kurt Vonnegut: Unstuck In Time — An Atypical Doc for an Atypical Writer
Reviews
DOC NYC: Listening to Kenny G – Penny Lane Asks Why
Reviews
Nightstream 2021: This Is GWAR – Screw the Critics
Reviews
SIFF DocFest 2021: The Hidden Life of Trees – The Root of Collectivism
Reviews
Fantastic Fest 2021: Cannon Arm and the Arcade Quest – Gyruss Fever
Reviews
Fantasia 2021: Satoshi Kon: The Illusionist – Dreaming Machine
Reviews
Val: Stifled Stardom and Muffled Memories
Reviews
North Bend Film Festival 2021: The Witches of the Orient
Reviews
Tribeca 2021: Roadrunner: A Film About Anthony Bourdain
Podcasts
The Twin Geeks 122: Whiplash (2014)
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