The Twin Geeks

Your independent resource for classic & contemporary cinema

TG10 Guest List: brazybenjamin (Japanuary)

50 Most Anticipated Films of 2023

TG10 Calvin’s List: A Letter to the Site from the Editor

A Man Called Otto: Sanitized & Americanized Adaptation of the Great Swedish Book & Film

The Twin Geeks’ 10 Best Movies of 2022

Puss in Boots: The Last Wish — This One is Just Right

Avatar: The Way of Water — The Return of James Cameron, King of Sequels

Strange World: A Letter to My Daughter About Embracing Strange New Worlds

Seattle Film Critics Society: Inaugural Pacific Northwest Award Finalists Announced

Women Talking: Let Them Talk

EO: A Mule’s Journey

Lamborghini: The Man Behind the Legend — Dull Docudrama v Ferrari

The Fabelmans: The Horizon is Always Where it Needs to Be

Causeway: Indie Roots

Ticket to Paradise: The Beach That Makes You Young Again

Aftersun: The Tender Evocation of Who We Were and Who We Will Become

Wendell & Wild: Henry Selick’s Welcome Return to Stop-Motion

The Banshees of Inisherin: The Comedy of Male Lonliness

The Twin Geeks Music Show: The 1975, Taylor Swift, Wild Pink, & Jeezy

The Return of Tanya Tucker: The New, Old History of Women in Music

Lyle, Lyle, Crocodile: Crocodile Rocking is Nothing Shocking

SIFF DOCSFEST 2022: Travel the World with 4 Capsule Reviews

Spirit Halloween: The Movie Equivalent of Candy Corn

Amsterdam: A Massive Waste of Resources

The Automat: The Democratic Design of the American Diner