The Twin Geeks
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The Twin Geeks
Your independent resource for classic & contemporary cinema
Author:
Calvin Kemph
Dad writing words on the internet. Editor-in-Chief of thetwingeeks.com & Seattle Film Critics Society member. Press: calvinkemph@yahoo.com
Features
TG10 Guest List: brazybenjamin (Japanuary)
Features
50 Most Anticipated Films of 2023
Features
TG10 Calvin’s List: A Letter to the Site from the Editor
Reviews
A Man Called Otto: Sanitized & Americanized Adaptation of the Great Swedish Book & Film
Features
The Twin Geeks’ 10 Best Movies of 2022
Reviews
Puss in Boots: The Last Wish — This One is Just Right
Reviews
Avatar: The Way of Water — The Return of James Cameron, King of Sequels
Reviews
Strange World: A Letter to My Daughter About Embracing Strange New Worlds
Features
Seattle Film Critics Society: Inaugural Pacific Northwest Award Finalists Announced
Reviews
Women Talking: Let Them Talk
Reviews
EO: A Mule’s Journey
Reviews
Lamborghini: The Man Behind the Legend — Dull Docudrama v Ferrari
Reviews
The Fabelmans: The Horizon is Always Where it Needs to Be
Reviews
Causeway: Indie Roots
Reviews
Ticket to Paradise: The Beach That Makes You Young Again
Reviews
Aftersun: The Tender Evocation of Who We Were and Who We Will Become
Reviews
Wendell & Wild: Henry Selick’s Welcome Return to Stop-Motion
Reviews
The Banshees of Inisherin: The Comedy of Male Lonliness
Podcasts
The Twin Geeks Music Show: The 1975, Taylor Swift, Wild Pink, & Jeezy
Reviews
The Return of Tanya Tucker: The New, Old History of Women in Music
Reviews
Lyle, Lyle, Crocodile: Crocodile Rocking is Nothing Shocking
Features
SIFF DOCSFEST 2022: Travel the World with 4 Capsule Reviews
Reviews
Spirit Halloween: The Movie Equivalent of Candy Corn
Reviews
Amsterdam: A Massive Waste of Resources
Reviews
The Automat: The Democratic Design of the American Diner
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